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The Reader


The quietest place on Earth that has people in it is the dome they built for Kramm’s comet. They measured it once, out on the flats, sixty miles from town, and put it on record. It’s a fact.

Kramm was the first man to see the comet twice. It comes back every seventy years. He saw it as a boy and again as a very old man, and he said there ought to be a place where a man could watch it without the city lights. So they built the dome. It holds a hundred people, and when the comet is up you can sit in it and hear a pin drop.

Not because people are quiet. Because the words stop.

You know the two kinds of people. Half of us think in words. A voice runs all day, telling you what you’re doing while you’re doing it. Now I’m pouring the whiskey. Now I’m setting it down. Now I’m asking him how his wife is. If you’re one of that half, you think the voice is you.

The other half thinks in shapes. No words. Pure shapes, the way a dog thinks, or a man looking at the sea. We’re called the silent ones, but not because we don’t talk. We talk fine. We just don’t have the voice going, and you’d think that would make us the lucky half. If you’re one of that half, you think the shapes are you.

I’m one of that half. I’ve tended bar for thirty years and listened to more talk than any man alive, and I never once heard the part that mattered.

Here’s what happens at the dome. The voice stops. Talkers go up the ramp and the voice goes dead in their heads. They say it’s like going deaf. They turn around and go back down. They never come again. Some of them cry. None of them can say why it stopped. The one thing the voice never narrates is why.

It stops because the shapes stop. The comet is a long clean curve, and when you look at it you stop shaping everything else. You just look. No shapes, no reading. The voice has nothing to read, so it shuts up.

The silent ones figured that out a long time ago. The dome is ours. Talkers visit it once and leave. We go every clear night the comet’s up. We sit in the dark and look, and it’s the only quiet there is on this planet, because everywhere else there is always somebody reading.

I was there the night I found out. About a month into the apparition. A Tuesday. I had the evening off, and I walked up the ramp around ten and sat in the back row, where I always sit, and I looked.

The comet was the long clean curve. I shaped it, and the dark around it, and the silence. That’s the best shape there is.

Then a talker came up the ramp. Ten at night, a Tuesday, at the dome. Talkers don’t come. Maybe she was lost. Maybe she’d heard about the dome and didn’t believe it. People don’t believe it.

I heard her before I saw her. At the dome you don’t hear anybody. But I heard her. A voice, running like a motor:

“Walking up the ramp. At the top now. Looking for a seat. I’m frightened. I don’t know why I’m frightened. Sitting down. I’m going to be all right.”

An old woman, in a good coat. She sat two benches ahead of me, and she was shaking. I could see the shape of the shaking. Over it the voice went right on:

“Looking at the comet. It looks like a scythe. I’m thinking it looks like a scythe.”

Only it didn’t. The shape she made of it wasn’t a scythe. It was a curve with a break in it, a shape like a question nobody asked. But the voice said scythe, because scythe is the word for a shape like that, and words are all it has.

And I saw something else in her. Not with my eyes, with my shapes. Something bright, in the middle of her, like a coal in a stove. And the voice came off the bright thing. The voice was reading the bright thing.

She thought she was thinking about the comet. Somebody in there, one of us, was looking at it, and she was reading him out loud. All day, all her life. She thought the words were hers.

I checked it against every one I knew. My mother. The kids I grew up with. The man who owns the bar. Same in all of them. Every one of the chattering half carries exactly one of the silent, and reads them out loud, all day, all their lives. That’s what they call thinking.

Her fear kept her reader running. Fear is the one shape the comet can’t still. That’s why I heard her.

And we, we sit in the dark and shape the comet and think our shapes are ours, and all the time, all our lives, somebody is reading. It read my bar and my regulars and my walks home. It read the night my mother died, and I never heard it.

And I shaped a cold stone. I didn’t mean to. It was the shape of my fear. And I felt something move in the middle of me, something I had never felt in my life. A voice. It was stirring. It was waking up.

It had been quiet all my life because I gave it nothing. A blank page reads as nothing. But a cold stone is a shape, and a shape reads.

It took the stone, turned it over, and began to read. It found the words. I heard them. I’m hearing them now.

I was never thinking.

I was being read.

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